Case Studies · Enbridge Gas × Honey

Your creative team should be able to pitch anything.

We’ve been making films with Honey for three years, and this is our second year as their production partner on Enbridge Gas’s ThermWise campaign. We asked Scott Hendrix, their Director of Growth, what that’s changed for them. We’ll let him do most of the talking.

ThermWise · :30 · Version 1
ThermWise · :30 · Version 2
:15 · Set This & Chill
:15 · 98% Efficient
:15 · Hair Salon
Client
Enbridge Gas, ThermWise energy-efficiency program
Agency
Salt Lake City
Relationship
Three years making films with Honey. Second year on the ThermWise campaign
Our role
Turning the agency’s idea into a production: budget, schedule, crew, locations, the shoot, and post when the agency wants it here

Where it started

Our first big campaign with Honey wasn’t for Enbridge. It was for Utah Workforce Housing Advocacy, and it ran for two years. The spots were a lot of fun to make.

In that second year, Honey also brought us onto Enbridge Gas’s ThermWise campaign, and we’ve been on it since.

UWHA · Year one · Traffic
UWHA · Year one · Musical Houses
UWHA · Year two · Garage Haven

What trust changes

We asked Scott what having a production partner he trusts changes about how Honey sells work to its clients.

“Because we have full confidence in their team, our Creative Department can pitch any concept, knowing they can execute it.”

Scott Hendrix, Director of Growth, Honey

That’s the line we care about most. When Honey sits down with Enbridge, they can bring their biggest idea and know it’ll get made.

How the work is split

On this campaign, who owns what gets settled before anyone spends a dollar.

Honey owns

  • The idea and the creative
  • The brand and the client relationship
  • Final approvals

We own

  • What each concept will actually take, before the boards lock
  • Budget, schedule, crew and locations
  • The shoot itself
  • Post, when the agency wants it here

We’re in the conversation while Honey is still developing concepts. So what they take to Enbridge is something we already know how to make, for the budget they have.

Before the shoot, and after it

“Our trust extends well beyond the day of the shoot; the collaboration leading up to production is second to none.”

Scott Hendrix, Honey

When a project wraps, we sit down with Honey for a retrospective. Both teams say what worked and what didn’t, including what we got wrong.

“Our mutual willingness to be open has allowed us to move quickly because trust is truly embedded in the relationship.”

Scott Hendrix, Honey
Needs: one real thing a retrospective changed. Something we did differently the next year because Honey told us, or we told them.

What it led to

3Years making films with Honey
2New spots this fall, built as handmade miniatures

Honey sends other agencies our way. Scott’s pitch for us: “We tell them how easy it is to collaborate with the team.”

This fall we’re shooting two new spots, both told through handmade miniatures: a family home built as a dollhouse, and a small neighborhood restaurant. Felix Hernandez is building both sets by hand. We started pre-production in July, we shoot in October, and the campaign launches in January 2027.

Optional: a campaign result Enbridge is willing to see in print (program sign-ups, reach, anything measurable)